The earliest professional interior designers were based in London – the British had become intrigued by Egyptian techniques of decorating household objects and wanted the same for themselves. London families became desperate to employ an interior designer to create magical spaces and accessorise their interiors. As interior designers came to be recognised as professionals, they increasingly found a need to draw on history to create fabulous results. This was particularly true when creating designs for historic London mansions or listed buildings – they saw historical reflections as a way of preserving the past while also looking to the future.

THE ANCIENT ROMANS

In Ancient Rome, citizens demanded comfort, luxury and wealth. These elements are still important in the work of interior designers across the world today. The lavish decorations, tapestries and iconic stonework today remain as timeless and popular in London as in Tokyo or Sydney. The Ancient Romans adored bespoke furniture and loved quality textiles and expensive fabrics.

MONASTIC TIMES

After the collapse of Roman rule, the church assumed power and largely discouraged the most creative interior designers. Opulent interiors were taken out and interior designers were instructed to install quiet and simple oak panels with dark lines and sharp edges. This influence was felt throughout Europe – from London all the way to Florence.

RENAISSANCE AND REVIVAL

The Renaissance saw the emergence of professional French or French-inspired interior designers. It was a new age of elegance and sophistication, which saw the rebuilding of the London Interior Designer community and a fresh take on creative and beautiful living spaces. A “palatial” feel was rediscovered, and interior designers began to take advantage of new transport axes going through London to the continent and to the Americas in order to rediscover their profession and herald the next generation of design.

This brings to an end my article on how the work of interior designers has changed over the ages. In my next article, I’ll reflect on how interior designers use interior fashions for great effect.

When you walk into a beautiful white kitchen designed by a top London Interior Designer, what do you feel? Many of us are overwhelmed with all sorts of emotions. We feel carefree and almost as if we are floating on air. The pervasive whiteness brings to mind age-old simplicity, sanitary freshness, contemporary impact, and a roomy, playful outlook. The interior designer will use the white kitchen as a philosophy to evoke a sentiment of purity for food preparation and to empower boundless chef-inspired inspiration.

Many interior design consultancies use white as a fabulous background for the presentation of magical colours and textures. For example, one top trend today is to use deeply varnished wooden joists to contrast with sharply-defined white architectural surrounds. Colourful interior design accents really “pop out” in this context. Alternatively, the quiet pastels of a London autumn can make for a classic and sophisticated interior design scheme.

The newest London kitchens may be white today, but the true home of the white kitchen has got to be Sweden. Just like London, Stockholm has short days and long nights for much of the year. Homeowners naturally crave interior designs that maximise the amount of reflected internal light in these climates. Swedish interior designers will create themes that are inspired by the widespread use of wintertime candles and sconces.

Returning to less northern cities like London, a simple white kitchen works well with dramatic black accents. A very dark or bold interior design element, used rhythmically in the kitchen, creates balance and interest. Contrast in tone and color is the underpinning of what might otherwise be experienced as a ‘simple’ or ‘flat’ kitchen.

Is a white kitchen ‘classic’ in the sense that it can ‘fit’ into any interior design? Certainly not! Understanding design context, and especially the architecture of all the elements, the proportions of color and tone, and a true balance with the surrounding interior spaces, are essential for the presentation of a visual logic, a ‘whole’. Top London interior designers recognise this, and their efforts have made the white kitchen philosophy a real winner today.

Any perforated textile, when lit from the back or from the inside, will speckle adjacent forms with pattern, from point strips and pirouettes to constellations and dazzling laser specks. The professional interior designer can use the trim of a window covering to create fabulous banding across a shiny floor covering in the London summer. Some interior design firms love to use ornamental metal lanterns to paint fiery asteroids on walls and furniture, while light projected through a sculpted screen can create magnificent abstract outlines in expressive contemporary interior design schemes. A factory-inspired metal stairwell with perforated treads – of the type often reinterpreted for ultra-modern interior design schemes – can throw tiny checkmarks of light onto local furniture when exposed to a bright London sky in springtime. A fabulous option with a wooden staircase would require the interior designer to specify a grit-washed tread, to deliberately throw stunning shadows from the rail onto the adjacent wall. Abstract wire-mesh sculptures by local London artists can engender powerful interior design emotions, with the pattern even becoming more important than the object itself! Interior designers can expressively use perspective to distort the pattern from complete realism, when lit front-on, to Baconesque abstract enchantment when illuminated at an acute angle. The same effect can be created by using mirrors to refocus natural light from bay windows in some of the more luxurious London residences.

Glass is another popular tool for patterns. A frosted glass table can be lit from above with a halogen downlighter to cast intricate outlines of reflected light onto the ceiling, and the interior designer can even use positioning to cause refracted light to splash abstract patterns onto the floor underneath the table. I have seen some London Interior Design consultancies deliberately illuminate trophy-style glassware on display shelves from the front so that the etching on the glass throws deep shadows that recapitulate a core design theme.

In the next (third) article in this series called “Colour Me Brightly!” I will reveal another secret of London’s interior design community: how to create patterns with opaque objects.

LIGHTING. If there are nooks and crannies that just don’t get enough light, interior designers may recommend low-voltage illumination to make your interiors look larger and more welcoming. This can also boost your mood – perfect for the gloomy and overcast London skies that are all too common this time of year. Some professional interior designers will recommend theatrical lighting moods, so that you can flip between settings to choose either relaxed, or atmospheric and edgy, or task-orientated, all according to your needs.

COLOUR. The hue of the lighting system can substantially impact the overall look of a room. Incandescent filaments are now being phased out across the European Union, and London interior designers are having to rely instead on compact fluorescents or halogens to create custom effects.

SCONCES. Wall-mounted sconces slide over lightbulbs to give a gentle fuzzy glow to a room. Interior designers sometimes combine glass outer sheaths with paper diffusers to create unique effects and soften the overall feel.

ARTWORK. Art is great, but well-lit artwork is even better – and interior designers are often specially-trained in how to perfectly illuminate choice pieces of art. Recessed lighting can be a great solution for both photographs and paintings. For sculptures, some interior designers love to use spotlights or feature lighting for more of a museum showcase feel.

INTERIOR DESIGNERS DO OUTSIDE, TOO! Exterior lighting is a great way to make a fabulous first impression for evening dinner guests or invitees to a luxury London soiree at your designer home. Exterior lighting solutions can even cast light indoors, as well … some interior designers like to be really creative and hide exterior lights in bushes or under trees to create natural diffusion before the light trickles in through the windows and makes fabulous patterns on the ceiling or wall.

This bring to an end my mini-series on how London interior designers use accessories, styles and history to create astonishing results.

Linear light patterns can focus on either the horizontal or the vertical metrics of a room. A given wall-light technique can create an immersing halo effect, if the interior designer uses concentrated super-bright light at high level that gradually fades out towards the base. Some London Interior Design consultancies specialise in choosing continuous sources, such as a miniature tungsten rack for a soft light or overlapping fluorescents for a cooler light. This is an effect that works very well in contemporary interior designs, where light can be concealed between the wall and the ceiling in a crevice in order to take the place of the traditional cornice.

The best method of illumination for interior designers to use when creating patterns will depend on the interior, and also on the direction of windows (natural light in London can be very seasonal). A smoothly plastered wall can jump into existence with a dappled arc wave from closed-offset down-lighters but if the interior design feature lies in the texture and in the structure or hue of the wall, then a more uniform spray of light will emphasise the wall’s best perspectives. A splashback tile solution at the rear of a shower or bath is a good interior design choice for the arc wave effect, as is a Venetian blind in a London kitchen. A wood-panelled hall or study is often a compelling interior design feature, and accordingly it would be better lit with an even light that does not detract from the feel of the wood.

Shifting from instant to instant and from a London dawn to a dappled full seasonal moonrise, the impacts of illumination and shadow are phenomena we almost disregard. But London’s top interior designers know that patterns of light can actually transform our emotions with respect to the interior forms that engulf us. By bringing to life walls, floors and ceilings with light-focused interior designs, pattern-making is yet another realm of illumination that can brighten our spaces and enhance our quality of life.

Tropical wall murals can be difficult to lay out and paint because, to make the scene look lifelike, you’ll need to use perspective and complex coloring to capture light and shadow. To start easy, you can incorporate small tropical elements throughout the room, like small fish darting out from behind a couch, a palm tree in the stretching on one wall with colorful butterflies flying around it. You could buy a tropical print, hang it above your couch, and then paint crisp white shutters around the print so that you now have a fantastic view of the beach from your living room.

Online retailers sell various tropical wall mural stencil kits. They send you a stencil you trace to transfer to your wall, and then you paint by numbers. These kits cost between $40 and $150.

Most professional mural painters have done tropical wall murals. Commissioning an artist to paint your tropical mural will save you time, but not money. Depending on the size and complexity of the mural, you can expect to pay between $30 and $100 per square foot of the mural.

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